Unflattening Scholarship with Comics

Unflattening Scholarship with Comics

"For this post, we sat down with Nick Sousanis to talk about the challenges and benefits of making a stronger connection between comics, scholarship, and pedagogy in higher education. Nick defended his comic dissertation last spring at Columbia’s Teachers College and the published book, Unflattening, is being published by Harvard University Press this month. - See more at: http://www.utpteachingculture.com/unflattening-scholarship-with-comics/#sthash.uCd7wt6m.dpuf"

http://www.utpteachingculture.com/unflattening-scholarship-with-comics/

Using Online Sources and Archives

http://www.arts.ac.uk/study-at-ual/library-services/collections-and-archives/

“In summary, all collection managers want to ensure that their collections support the learning, teaching and research at the University, and contribute to the advancement of scholarship and innovation in the creative arts nationally and internationally.”

A wide range of archives and special collections are held across the six colleges of University of the Arts London.

More information about the collections held at the University can be found on the website for each College’s special collections (links are given below). A number of the collections and archives held across the University are also listed on the University Archives and Special Collections online catalogue.

The collections include material relating to book art, film, fine printing, performance, product design, tailoring, typography and women’s art. Resources are open to the general public. It is advisable to make an appointment before you visit using the contact email address or phone number of the site where the collection you wish to view is held.

An overview showcasing academic uses of archives and special collections at University of the Arts London is given in the following publication, available in both static and interactive PDF format.

A general guide to our Archives and Special Collections is also available

The Library Services Archives and Special Collections Development and Management Policy is available below. For further information about this policy, please contact Sarah Mahurter, Manager, University Archives and Special Collections Centre s.mahurter@arts.ac.uk

College collections

Along with the UAL Archives and Special Collections Centre, UAL college’s house their own collections:

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Wolfgang Wackernagel
GILGAMESH’S IRISGLANCE (english)

published in : Diogenes n° 156, New York – Oxford, Berg 1992
genre : calligramme • concrete poetry

A “Calligramme” is also known as shaped stanza or Heiroglyphic verse. The way the words are arranged on the paper evokes a shape, either through the use of the words or the use of the space around the words. It can also be done with multiple colors, such as black and red. -PoetryRenewal.com

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Remote versus Co-located Work isn’t a simple dichotomy of remote versus co-located work, instead there are several patterns of distribution for teams each of which has different trade-offs and effective techniques suitable for them. While it’s impossible to determine conclusive evidence, my sense is that most groups are more productive working in a co-located manner. But you can build a more productive team by using a distributed working model, because it gives you access to a wider talent pool.

19 October 2015 by Martin Fowler

The Many Shades of Remoteness
Most people are more productive when co-located
Remote teams are often more productive
Pay attention to communication patterns
Remoteness and Agile
Conclusions

http://martinfowler.com/articles/remote-or-co-located.html?utm_content=buffer5511f&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer

Frantz Fanon: The Militant Philosopher of Third World Liberation

rs21onOctober 25, 2015

http://rs21.org.uk/2015/10/25/franz-fanon-the-miltant-philosopher-of-third-world-liberation/
Leo Zeilig‘s biography of Frantz Fanon, The Militant Philosopher of Third World Liberation, is out on 5 November. Here are a few teasers from the book with introductions by the author.

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In 1953 Fanon moved to Algeria to work in the small town of Blida, about 50 miles from the capital Algiers. He applied for a position as a psychiatrist, having recently qualified. Fanon did not leave France for Algeria because he predicted the future publishing success of The Wretched of the Earth, or that a war and revolution against France was about to break out. Algeria transformed Fanon. At the large hospital in Blida he experimented with therapies that he had seen at Saint Alban and developed with the Spanish revolutionary psychiatrist François Tosquelles. After 1954 the hospital was quickly drawn into the war.

The Hospital at the Time of the Revolution

The hospital that had been for a brief period a sanctuary for those physically and psychologically injured was sucked into the maelstrom. Members of Fanon’s staff were arrested, some beaten, others had joined in the strike action called by the Front de Libération National; others went to fight in the mountains. As Fanon’s colleague Alice Cherki remembers, ‘the hospital was considered to be a veritable nest of fellaghas. Fanon was certainly a target … a sweep up was being prepared.’ There was no neutrality. A repressive noose was tightening around Blida’s hospital.

Fanon’s working life was also overturned. His was now seeing patients who were suffering from torture, or inflicting it. Despite Fanon’s post-1961 image as an apostle of violence, he treated, with great humanity French-Algerian torturers – some of these stories appear as case notes in the final chapter of his last book. Both torturer and tortured in Fanon’s psychiatric practice were victims of the Algerian war.

One story illustrates the Fanon’s humanity. A patient, a policeman, was referred to Fanon. He complained that he could not sleep at night. Each time he fell asleep he was woken by the sound of screaming. Each scream, he explained to Fanon, he recognised as the screams of a man beaten up, hung from his wrists for two hours, and the final highest pitch was the scream as a person was being electrocuted. Fanon helped to secure the policeman sick leave after which he returned to France. In the middle of one consultation Fanon was called out. Josie, his wife, suggested to the policeman that he wait in their house inside the hospital grounds. Instead the policeman decided to walk in the hospital grounds. A short time later Fanon saw the patient doubled over dripping with sweat. He had passed one of his victims in the hospital. Fanon gave him a sedative and calmed him down. Fanon then went in search of the tortured Algerian. Eventually he was discovered cowering in a toilet, terrified that the police had been called and he would be arrested and tortured again. Finally, Fanon convinced him that he was mistaken and that he had not just seen the policeman.

Such was the work of this apostle of violence …